{"id":2560,"date":"2021-07-16T07:00:00","date_gmt":"2021-07-16T05:00:00","guid":{"rendered":"https:\/\/hasansever.org\/?p=2560"},"modified":"2021-07-16T07:00:00","modified_gmt":"2021-07-16T05:00:00","slug":"bir-fotografin-devrim-tasviri","status":"publish","type":"post","link":"https:\/\/hasansever.org\/?p=2560","title":{"rendered":"Bir Foto\u011fraf\u0131n Devrim Tasviri"},"content":{"rendered":"

Bayraklara gelince: Onlar\u0131, \u00fclkemin \u015fekil almam\u0131\u015f, k\u0131vam\u0131n\u0131 bulamam\u0131\u015f protestolar\u0131ndan da tan\u0131yorum. Hep d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, bu bayraklar niye ta\u015f\u0131n\u0131r diye? Burada da kar\u015f\u0131ma \u00e7\u0131k\u0131nca beynimdeki foto\u011fraf biraz daha netle\u015fti.<\/p>\n

<\/p>\n

Devrimin hata yapma hakk\u0131 yoktur!<\/b><\/p>\n

Maoizm d\u00fcnyaya devrim ihra\u00e7 etmedi ama g\u00fcn\u00fcm\u00fcz kapitalizmini ayakta tutacak her t\u00fcrl\u00fc meta\u0131 ihra\u00e7 etmeyi ba\u015fard\u0131. \u00c7oktand\u0131r Avrupa\u2019n\u0131n irili ufakl\u0131 ma\u011fazalar\u0131nda Made in China<\/em> etiketli \u00fcr\u00fcnler boy g\u00f6sterip duruyor. Ka\u011f\u0131t \u00fczerinde politik duru\u015flar\u0131 ayn\u0131 olmayan \u00fclkeler, pazar piyasas\u0131nda s\u0131k\u0131 birer partner<\/em> olmu\u015f durumdalar. Sovyetler’in y\u0131k\u0131lmas\u0131n\u0131n ruhlar\u0131m\u0131zda yaratt\u0131\u011f\u0131 tahribat hen\u00fcz tazeli\u011fini korurken, \u00c7in halk devriminin kapitalizmle kola kola girmesi kabuk ba\u011fla(ya)mam\u0131\u015f yaram\u0131za tuz oluyor. B\u00fcy\u00fck binalar, b\u00fcy\u00fck barajlar ve h\u0131zl\u0131 trenler halk\u0131n de\u011fil, meta ak\u0131\u015f\u0131n\u0131n nefes borular\u0131 oluyorlar.<\/span><\/p>\n

\"\"
Fuzhou, Fujian B\u00f6lgesi \u00c7in. Yap\u0131lan i\u015f merkezinden \u00f6t\u00fcr\u00fc ev y\u0131k\u0131m\u0131. Foto: Reuters<\/figcaption><\/figure>\n

Foto\u011fraf<\/span> \u00c7in\u2019in Fujian b\u00f6lgesinde \u00e7ekilmi\u015f. Yan\u0131 ba\u015flar\u0131na kadar gelmi\u015f i\u015f merkezi in\u015faat\u0131na kar\u015f\u0131, evlerini savunan insanlar, katil balinan\u0131n felaketinden ka\u00e7maya \u00e7al\u0131\u015fan deniz aslanlar\u0131na benziyorlar. \u00d6nde devrimin tasviri; k\u00fc\u00e7\u00fclm\u00fc\u015f ve zaman\u0131n grili\u011fine boyun e\u011fmi\u015f evler, arka planda h\u0131zla ve \u00f6n\u00fcne ge\u00e7ilmez bir g\u00fc\u00e7le gelen kapitalizm. Ne b\u00fcy\u00fck bir trajediye denkla\u015f\u00f6r basm\u0131\u015f Reuters muhabiri. O, bundan bu kadar b\u00fcy\u00fck bir y\u00fcrek s\u0131z\u0131s\u0131 duydu mu bilemem ama, ister bilerek ister i\u00e7g\u00fcd\u00fcsel olsun, buna g\u00f6nderme yapt\u0131\u011f\u0131 kesin.<\/span><\/p>\n

Bayraklara gelince: Onlar\u0131, \u00fclkemin \u015fekil almam\u0131\u015f, k\u0131vam\u0131n\u0131 bulamam\u0131\u015f protestolar\u0131ndan da tan\u0131yorum. Hep d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, bu bayraklar niye ta\u015f\u0131n\u0131r diye? Burada da kar\u015f\u0131ma \u00e7\u0131k\u0131nca beynimdeki foto\u011fraf biraz daha netle\u015fti. Var olan\u0131 y\u0131kma d\u00fcrt\u00fcs\u00fcn\u00fcn, muhalefetin ve hatta muhalifli\u011fin hen\u00fcz su y\u00fcz\u00fcne \u00e7\u0131kmad\u0131\u011f\u0131 co\u011frafyalarda, ancak var olan g\u00fcce s\u0131\u011f\u0131narak meydanlara \u00e7\u0131kabiliyor insanlar. Bu, bayrak da olabilir, o co\u011frafyan\u0131n ba\u015fka bir dokunulmaz\u0131 da. Polis sald\u0131r\u0131s\u0131n\u0131 engellemek i\u00e7in olmad\u0131k anda ulusal mar\u015f\u0131 okumaya ba\u015flayan ve hayat\u0131 ge\u00e7ici bir s\u00fcreli\u011fine durduran protestocu g\u00f6r\u00fcnt\u00fcleri hepimizin ar\u015fivinde vard\u0131r.<\/span><\/p>\n

\u00c7in halk devrimiyle Kemalist devrim bu noktada ayn\u0131la\u015fm\u0131\u015f g\u00f6r\u00fcn\u00fcyor. Anla\u015f\u0131lan, her iki devrim de kendi <\/span>tebaas\u0131na<\/span><\/i> bir devrimci gelenek b\u0131rak(a)mam\u0131\u015f. Egemen g\u00fcc\u00fcn g\u00fcc\u00fcne s\u0131\u011f\u0131narak ona kar\u015f\u0131 koymak nas\u0131l bir \u00e7aresizliktir? Gri binalar\u0131n balkonlar\u0131na k\u0131z\u0131l bayraklar\u0131 asmak ve ya gecekondunun tepesine ay y\u0131ld\u0131zl\u0131 bayra\u011f\u0131 dikmek kaderin(!) \u00f6n\u00fcne ge\u00e7ilmezli\u011fine \u00e7are midir?\u00a0<\/span><\/p>\n

Foto\u011frafa d\u00f6nersek: Her ne kadar devrimi \u00e7a\u011fr\u0131\u015ft\u0131rsa da gri binalar\u0131n daha \u00e7ok kafesi and\u0131rd\u0131\u011f\u0131 da ayr\u0131 bir g\u00f6r\u00fcnt\u00fc. Esteti\u011fi hep es ge\u00e7ti devrimler. Kelimenin t\u0131ls\u0131m\u0131yla oynamak istemiyorum ama esteti\u011fin es\u2019i es ge\u00e7ilince geriye neyin kalaca\u011f\u0131 malum. \u00d6yle de oldu. Devrim hem Sovyetlerde hem de \u00c7in\u2019de teknik bir mesele gibi alg\u0131land\u0131. Bir bina iskeleti \u00fczerinde durur, ki temeldir o, ama i\u00e7 mimarisiyle ya\u015fan\u0131r, ki o da esteti\u011fi, nezaketi ve narinli\u011fidir. D\u00fcnyan\u0131n bu b\u00fcy\u00fck iki devrimi nedense nezaketten hep uzak durdu. Maoist devrim olsun, Leninist devrim olsun plan defterlerinden tuvallere ge\u00e7meyi beceremediler.<\/span><\/p>\n

O son evler de y\u0131k\u0131ld\u0131 m\u0131 bilemiyorum. O son evler Maoist devrimden kalan son kaleler miydi onu da bilemiyorum. Tarih yapmaya kalk\u0131\u015fan insan, yapt\u0131\u011f\u0131n\u0131n tarih oldu\u011funu dikkatinden ka\u00e7\u0131r\u0131rsa, tarihi ka\u00e7\u0131rm\u0131\u015f oluyor. Bazen hata yapmaya l\u00fcks\u00fc olmuyor insanlar\u0131n; t\u0131pk\u0131 devrim gibi.\u00a0<\/span><\/p>\n

A\u015fa\u011f\u0131daki foto\u011fraf<\/span> \u0130stanbul\u2019dan kadrajlanm\u0131\u015f. Sadece bir soru c\u00fcmlesi kurmak istiyorum: \u00c7aresiz kalan \u00e7ocuk mu, bayrak m\u0131?<\/span><\/p>\n

\"\"
Ali \u00d6z, \u0130stanbul, Gecekondu Y\u0131k\u0131m\u0131, 1997<\/figcaption><\/figure>\n

Hasan Sever<\/strong><\/p>\n

Z\u00fcrih, 02.02.2010<\/strong><\/p>\n

\n

(1) \u00c7in, Fuzhou, Fujian B\u00f6lgesi. Ev y\u0131k\u0131m\u0131, 2010. Foto\u011fraf: Reuters<\/span><\/p>\n

(2) \u00a0T\u00fcrkiye, \u0130stanbul. Gecekondu Y\u0131k\u0131m\u0131, 1997. Foto\u011fraf: Ali \u00d6z. Kaynak: http:\/\/www.fotoritim.com\/yazi\/ali-oz–ben-bir-foto-muhabiriyim<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Bayraklara gelince: Onlar\u0131, \u00fclkemin \u015fekil almam\u0131\u015f, k\u0131vam\u0131n\u0131 bulamam\u0131\u015f protestolar\u0131ndan da tan\u0131yorum. Hep d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, bu bayraklar niye ta\u015f\u0131n\u0131r diye? Burada da kar\u015f\u0131ma \u00e7\u0131k\u0131nca beynimdeki foto\u011fraf biraz daha netle\u015fti.<\/p>\n","protected":false},"author":2,"featured_media":2561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69,45],"tags":[139,212,292,452,604,662,684],"class_list":["post-2560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-siyaset","category-yazilar","tag-ali-oz","tag-bayrak","tag-cin","tag-gecekondu","tag-kemalist-devrim","tag-leninist-devrim","tag-maoist-devrim"],"yoast_head":"\nBir Foto\u011fraf\u0131n Devrim Tasviri - HASAN SEVER<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hasansever.org\/?p=2560\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bir Foto\u011fraf\u0131n Devrim Tasviri - HASAN SEVER\" \/>\n<meta property=\"og:description\" content=\"Bayraklara gelince: Onlar\u0131, \u00fclkemin \u015fekil almam\u0131\u015f, k\u0131vam\u0131n\u0131 bulamam\u0131\u015f protestolar\u0131ndan da tan\u0131yorum. 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Hep d\u00fc\u015f\u00fcn\u00fcrd\u00fcm, bu bayraklar niye ta\u015f\u0131n\u0131r diye? 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