{"id":2768,"date":"2021-10-01T07:00:43","date_gmt":"2021-10-01T05:00:43","guid":{"rendered":"https:\/\/hasansever.org\/?p=2768"},"modified":"2021-10-01T07:00:43","modified_gmt":"2021-10-01T05:00:43","slug":"baska-bir-dilde-yazmak","status":"publish","type":"post","link":"https:\/\/hasansever.org\/?p=2768","title":{"rendered":"\u201cBa\u015fka bir dil\u201dde yazmak"},"content":{"rendered":"

“17 Eyl\u00fcl 2021 Cuma g\u00fcn\u00fc “Literaturhaus Z\u00fcrich” taraf\u0131ndan \u0130svi\u00e7re’nin Z\u00fcrih kentinde organize edilen ve konu\u015fmac\u0131 olarak davetli oldu\u011fum “\u0130svi\u00e7re’de Be\u015finci Dilde Edebiyat” adl\u0131 sempozyumda yazarl\u0131k ser\u00fcvenimi ve “ba\u015fka bir dilde” yazmaya dair deneyimlerimi payla\u015ft\u0131\u011f\u0131m sunumumun tam metni.<\/span><\/em><\/p>\n

<\/p>\n

Z\u00fcrih\u2019e geldi\u011fimde 23 ya\u015f\u0131ndayd\u0131m. Asl\u0131nda c\u00fcmleyi \u015f\u00f6yle kurmal\u0131y\u0131m: Kendimi Z\u00fcrih denen \u015fehre att\u0131\u011f\u0131mda 23 ya\u015f\u0131ndayd\u0131m. S\u00fcrg\u00fcnd\u00fcm. G\u00fcne, yar\u0131na ve \u00f6tesine dair hi\u00e7bir fikrim, plan\u0131m ve haz\u0131rl\u0131\u011f\u0131m yoktu. Fakat hayat bo\u015fluk tan\u0131maz, her yerde ve her \u015fart alt\u0131nda bir \u015fekilde devam eder. Bende de \u00f6yle olmu\u015ftu. Z\u00fcrih\u2019in havas\u0131na suyuna yava\u015f yava\u015f al\u0131\u015fmaya ba\u015flam\u0131\u015ft\u0131m. O g\u00fcnlere dair zihnimde siyah beyaz bir foto\u011fraf gibi en net duran yer hangi Gasse\u2019ye ait oldu\u011funu bilmedi\u011fim Niederdorf\u2019a ait bir yerdir. Y\u0131llar Sonra Su Duydum roman\u0131mdaki Feride ve Ferdi karakterlerimi tam da o foto\u011fraf\u0131n i\u00e7inde y\u00fcr\u00fctt\u00fcm: Hirschenplatz.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

Tabii o zamanlar yazmak, yazarl\u0131k \u00e7ok uza\u011f\u0131mdayd\u0131. Ortaokula ba\u015flad\u0131\u011f\u0131m y\u0131l a\u011fabeyimin de te\u015fvikiyle g\u00fcnl\u00fck kompozisyonlar yazard\u0131m ve yazard\u0131m. Y\u0131llar sonra d\u00f6n\u00fcp o g\u00fcnlere bakt\u0131\u011f\u0131mda yazarl\u0131k vir\u00fcs\u00fcn\u00fcn b\u00fcnyeme o kompozisyonlarla girdi\u011fini fark ediyorum. \u00c7ok uzun bir s\u00fcre bedenimde dinlenen yazma\u00a0 d\u00fcrt\u00fcs\u00fc Z\u00fcrih’te ilkin \u015fiir olarak geri d\u00f6nm\u00fc\u015ft\u00fc. \u015eimdi, zaman zaman o \u015fiirleri okudu\u011fumda kendimde biraz da olsa Stendhal’\u0131n Julien Sorel’ini g\u00f6rm\u00fcyor de\u011filim. Lakin \u00e7ok uzatmad\u0131m. Almanca \u00f6\u011frenimi, \u00fcniversitede iktisat e\u011fitimi her t\u00fcrl\u00fc yazar-\u015fairli\u011fe bask\u0131n \u00e7\u0131km\u0131\u015ft\u0131. Bir ara iktisat\u00e7\u0131 olaca\u011f\u0131m\u0131 d\u00fc\u015f\u00fcn\u00fcyordum. Yan\u0131lm\u0131\u015f\u0131m.\u00a0<\/span><\/p>\n

Kendimi yazma ser\u00fcvenin i\u00e7inde buldu\u011fumda i\u015fin buraya kadar uzayaca\u011f\u0131n\u0131 kesinlikle tahmin etmemi\u015ftim. Yazmaya d\u00f6nmem daha ziyade\u00a0 \u201c\u00f6ylesine\u201d olmu\u015ftu. Fakat sonra i\u015f benim kontrol\u00fcmden de \u00e7\u0131kt\u0131. G\u00fcnde iki, hatta \u00fc\u00e7 yaz\u0131 yazd\u0131\u011f\u0131m zamanlar oluyordu. Yoluma ne \u00e7\u0131karsa yaz\u0131yordum: Ele\u015ftiri, yorum, spor, siyasi makale, haber hatta hatta yemek tarifi… Bir yaran\u0131n cerahatinden kurtulma s\u00fcreciymi\u015f; sonradan anlad\u0131m.\u00a0<\/span><\/p>\n

\u0130lk roman\u0131m \u201cBirazc\u0131k Halil\u201di yazmaya ba\u015flad\u0131\u011f\u0131mda Z\u00fcrih\u2019ten Basel’e giden bir trenin i\u00e7indeydim ve k\u0131sa bir hikaye \u015feklinde d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm Halil\u2019i neden uzun yazmayay\u0131m dedi\u011fimi hat\u0131rl\u0131yorum. Takriben Baden\u2019\u0131 ge\u00e7mi\u015f, Baden-Brugg aras\u0131 bir yerdeydim. Sonra iki y\u0131l s\u00fcren bir kurmacan\u0131n i\u00e7inde buldum kendimi. Mevsimleri, aylar\u0131 hatta g\u00fcnleri kar\u0131\u015ft\u0131rd\u0131\u011f\u0131m oldu. Kurmacan\u0131n zaman\u0131ndan ger\u00e7ek hayattaki zamana ge\u00e7me zorluklar ya\u015fad\u0131\u011f\u0131m oldu fakat hepsi esrik bir d\u00fc\u015f\u00fcn koynunda gibiydi. \u015eikayet\u00e7i de\u011fildim. Yazmak, yaratmak, yazarak<\/span> yaratt\u0131\u011f\u0131n\u0131n<\/span> hikaye tuttu\u011funu, hayata tutundu\u011funu g\u00f6rmek olduk\u00e7a heyecan vericiydi.\u00a0<\/span><\/p>\n

Ve b\u00fct\u00fcn bunlar etraf\u0131mda Almanca\u2019n\u0131n h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc bir d\u00fcnyada T\u00fcrk\u00e7e oluyordu. Bazen d\u00fc\u015f\u00fcnm\u00fcyor de\u011fildim; uzak bir dilin kanatlar\u0131nda Orta Avrupa steplerinde yolculuk yapan bir nomadd\u0131m. Der ya hani Brecht, \u201cS\u00fcrg\u00fcn demek dil demektir.\u201d O hesap \u00fczre \u0130svi\u00e7re’de be\u015finci bir dilde yay\u0131n yapan dinleyicisiz, bir k\u0131sa dalga radyo istasyonuydum. Fakat \u00e7ocuklu\u011fumdan beri sevmi\u015fimdir radyolar\u0131. Radyo dalgas\u0131n\u0131n kendini sonsuz bo\u015flu\u011fa sal\u0131p, nerede nas\u0131l bir kula\u011fa denk gelece\u011fini bilmeden da\u011f tepe a\u015fmas\u0131 bana hep ilham verici gelmi\u015ftir.\u00a0<\/span><\/p>\n

Yazmak nihayetinde \u00f6nce yazar\u0131n kendisi i\u00e7indir. Yaz\u0131lan\u0131 ba\u015fkas\u0131yla payla\u015fmak, onu bir formata getirip basmak \u00e7ok sonran\u0131n i\u015fidir. Tam da b\u00f6yle oldu. \u0130lk roman\u0131m \u201cBirazc\u0131k Halil\u201di bitirdikten sonra, kendime \u015fa\u015fk\u0131nl\u0131kla \u015fu soruyu sordum: \u201cSahi ne yapaca\u011f\u0131m ben bunu \u015fimdi?\u201d Evet ne yapacakt\u0131m? \u0130svi\u00e7re\u2019de, T\u00fcrk\u00e7e bir roman yazm\u0131\u015ft\u0131m ve bunun sokakta, i\u015fyerimde, kitap\u00e7\u0131larda ve yay\u0131nevlerinde hi\u00e7bir kar\u015f\u0131l\u0131\u011f\u0131 yoktu. \u00c7ok uzaktaki bir okura, \u00e7ok uzaktaki bir insana yazm\u0131\u015ft\u0131m. T\u0131pk\u0131 demin bahsetti\u011fim k\u0131sa dalga radyo istasyonu gibi…<\/span><\/p>\n

Dil bana g\u00f6re insanl\u0131\u011f\u0131n en b\u00fcy\u00fck icad\u0131d\u0131r ve hangi dil olursa olsun o insanl\u0131\u011f\u0131n ortak \u00fcr\u00fcn\u00fcd\u00fcr. \u0130ngilizce nas\u0131l ki sadece \u0130ngilizlere ait de\u011filse \u015fu anda kimsenin konu\u015fmad\u0131\u011f\u0131 Hitit\u00e7e, Akad\u00e7a da Hititlere, Akadlara ait de\u011fildi. Dil iki ki\u015fi aras\u0131nda konu\u015fuluyor olsa da mutlak insanl\u0131\u011f\u0131n ortak \u00fcr\u00fcn\u00fcyd\u00fc. Fakat b\u00fct\u00fcn bunlar be\u015finci dilde yazd\u0131\u011f\u0131m roman\u0131m\u0131n \u0130svi\u00e7re\u2019de okur kar\u015f\u0131s\u0131na \u00e7\u0131kmas\u0131na yetmi<\/span>yordu. Dolay\u0131s\u0131yla \u201cBirazc\u0131k Halil\u201d ve pe\u015finden ikinci roman\u0131m \u201cSu Duydum\u201d \u00f6nce \u0130stanbul\u2019a T\u00fcrkiye\u2019ye gittiler. Oradan bana geri d\u00f6nd\u00fcler.\u00a0<\/span><\/p>\n

T\u0131pk\u0131 \u201cBirazc\u0131k Halil\u201di yazd\u0131ktan s<\/span>onra kendime\u00a0<\/span>\u015fa\u015fk\u0131nl\u0131ka <\/span>bunu ne yapaca\u011f\u0131m<\/span><\/i> dedi\u011fim gibi \u201cBirazc\u0131k Halil\u201d ve \u201cSu Duydum\u201dun yay\u0131nlanmas\u0131n\u0131n \u00fczerinden bir ka\u00e7 y\u0131l ge\u00e7tikten sonra ayn\u0131 soruyu yine kendime sormak durumunda kald\u0131m. Bu seferki \u015fa\u015fk\u0131nl\u0131k Almanca ile ilgiliydi. T\u00fcrk\u00e7e yine bir yere kadar yay\u0131nevlerine anlat\u0131labiliyordu peki Almanca i\u00e7in ne yapacakt\u0131m? Kabul etmek laz\u0131m ki bir roman\u0131n terc\u00fcme s\u00fcresi ve orijinal dilinden ba\u015fka bir dilde yay\u0131nlanmas\u0131 teknik ve maddi olarak \u00e7ok daha zor. \u00d6zet bir terc\u00fcmeyle yay\u0131nevlerine roman\u0131 anlatmak, onlar\u0131n ilgisini \u00e7ekmek neredeyse imkans\u0131z.<\/span><\/p>\n

\u015eu g\u00fcnlerde \u201cSu Duydum\u201d roman\u0131m Wasserrauschen ad\u0131yla Almanca bask\u0131ya giriyor. Ve ilk kez bir roman\u0131m yaz\u0131ld\u0131\u011f\u0131, i\u00e7ind<\/span>e ge\u00e7ti\u011fi mekan\u0131n diline kavu\u015fuyor. Heyecan verici. Bir dilden bir ba\u015fka dile ge\u00e7mek, bin d\u00fcnyadan ba\u015fka bin d\u00fcnyaya a\u00e7\u0131lmak gibi.\u00a0<\/span><\/p>\n

\u0130svi\u00e7re\u2019de be\u015finci dilde yazarken umutsuzlu\u011fa d\u00fc\u015ft<\/span>\u00fc\u011f\u00fcm kimi zaman Hattu\u015fal\u0131 bir katibi d\u00fc\u015f\u00fcnd\u00fcm. De\u011fil mi ki o katip kil tablete \u00e7ubu\u011fu her bat\u0131r\u0131\u015f\u0131nda d\u00fcnyay\u0131 avucuna alm\u0131\u015f gibi kendini g\u00fc\u00e7l\u00fc hissediyordu, o vakit benim de umutsuzlu\u011fa d\u00fc\u015fme hakk\u0131m yoktu. \u00dcstelik modern bir dilde yaz\u0131yordum. Dilimin bir ba\u015fka dile aktar\u0131m\u0131 bin y\u0131llar\u0131n tozlu tarihinin \u00fcst\u00fcnden ge\u00e7mesini gerektirmeyecekti…\u00a0<\/span><\/p>\n

Yine de, ger\u00e7ek hayat der ki, kitap okuruyla vard\u0131r. Yazar yazd\u0131\u011f\u0131 hikayeyi ne kadar dondurursa okur da okudu\u011fu o hikayeyi ayn\u0131 derecede hareketli, ya\u015fayan bir b\u00fcnyeye \u00e7evirir. Bu y\u00fczdendir ki yazmak, yazarla okur aras\u0131nda organik bir ili\u015fkiye ihtiya\u00e7 duyar ve o ili\u015fkinin topra\u011f\u0131nda da kitap yeti\u015fir.<\/span><\/p>\n

Yazmaya ba\u015flad\u0131ktan sonra, \u00f6zellikle ikinci roman\u0131m Su Duydum\u2019u yazd\u0131ktan sonra Z\u00fcrih benim i\u00e7in ba\u015fka bir \u015fehirdi art\u0131k. Hatta bir de\u011fil iki \u015fehirdi. Biri herkesle payla\u015ft\u0131\u011f\u0131m di\u011feriyse kendimden \u00fcretti\u011fim, insalara pay etti\u011fim \u015fehir. Yazman\u0131n b\u00fcy\u00fcl\u00fc bir sonucuydu bu. Eskid<\/span>en bir kalem ve bir ka\u011f\u0131tla yarat\u0131lan d\u00fcnyalar art\u0131k bir klavye ve bir ekran \u00fczerinden v\u00fccut buluyordu. Her ne kadar sokaklarda h\u00fckm\u00fc s\u0131n\u0131rl\u0131 olan bir dil kullan\u0131yor olsam da neticede dil dildi ve Birazc\u0131k Halil roman\u0131mda Yunus\u2019a s\u00f6yletti\u011fim gibi: Dil dile benzer\u2019di…<\/span><\/p>\n

Bence yazman\u0131n as\u0131l zorlu\u011fu yazd\u0131ktan sonraki s\u00fcre\u00e7tir. Bir yazar olarak yazmay\u0131 ne kadar seviyorsam, yazd\u0131klar\u0131m\u0131 yay\u0131nlamak i\u00e7in ya\u015famak zorunda oldu\u011fum yay\u0131n s\u00fcrecini de bir o kadar sevmiyorum. \u0130nsan\u0131n yazarl\u0131\u011f\u0131n b\u00fcy\u00fcl\u00fc (hatta konforlu) d\u00fcnyas\u0131ndan \u00e7\u0131k\u0131p hayat\u0131n \u00e7\u0131plak, sert ve kurallara tabi d\u00fcnyas\u0131yla y\u00fczy\u00fcze kalmas\u0131 bazen sanat i\u00e7in bile kald\u0131r\u0131lamayacak kadar a\u011f\u0131r bir y\u00fck olabiliyor. Ve fakat hayat b\u00f6yle ilerliyor…<\/span><\/p>\n

\u0130svi\u00e7re\u2019de Almanca, \u00c7ince, \u0130spanyolca ya da \u0130ngilizce gibi geni\u015f co\u011frafyal\u0131 bir dilde de\u011fil de be\u015finci dilde yaz\u0131yor olmam bir tercih de\u011fil. \u0130nsan bir dilde \u015fiir yazabilir denir. Ben ayn\u0131 \u015feyi roman ve hikaye i\u00e7in de d\u00fc\u015f\u00fcn\u00fcyorum. \u0130nsan\u0131n anadili gibi yazma, \u00fcretme dili de bir ve biriciktir. Dilin edebiyat\u0131n tu\u011flas\u0131 oldu\u011fu varsay\u0131l\u0131rsa, sanat\u00e7\u0131n\u0131n bir yap\u0131y\u0131 anca en iyi bildi\u011fi, tan\u0131d\u0131\u011f\u0131 tu\u011flayla \u00f6rmesi m\u00fcmk\u00fcn olacakt\u0131r. Ve bu in\u015fa okurun ba\u015f\u0131na \u00e7\u00f6kmemelidir. \u00d6te yandan, edebiyat her ne kadar dil ile yap\u0131lsa da ortaya \u00e7\u0131kan \u00fcr\u00fcn neticede evrensel bir \u00fcr\u00fcnd\u00fcr; \u00f6yle olmal\u0131d\u0131r. Ba\u015fka t\u00fcrl\u00fc olsa Marquez\u2019in, Steinbeck’in, Neruda\u2019n\u0131n, D\u00fcrrenmatt’\u0131n yap\u0131tlar\u0131n\u0131 nas\u0131l anlard\u0131k? Birazc\u0131k Halil roman\u0131m\u0131n T\u00fcrkiye’de en \u00e7ok ilgi g\u00f6ren b\u00f6l\u00fcm\u00fc Almanya\u2019da ge\u00e7en b\u00f6l\u00fcm ve en sahiplenilen karakterlerden biri de ya\u015fl\u0131 bir Alman olan Frau Basler\u2019d\u0131. Frau Basler bir Alman\u2019d\u0131, hayat\u0131 Almanya\u2019da Almanca ya\u015fam\u0131\u015f, ikinci d\u00fcnya sava\u015f\u0131na tan\u0131kl\u0131k etmi\u015f bir kad\u0131nd\u0131 ve T\u00fcrk\u00e7e\u2019de hi\u00e7 e\u011freti durmuyordu. Ayn\u0131 \u015fekilde Su Duydum roman\u0131mdaki Z\u00fcrih, T\u00fcrkiye’deki okurdan \u00e7ok b\u00fcy\u00fck be\u011feni toplam\u0131\u015ft\u0131. Buradan bak\u0131nca dil zaman zaman teknik bir gereklili\u011fe indirgenebilir; ama tabii \u0130ngilizce ya da Almanca, \u0130spanyolca yazman\u0131n bir piyasa avantaj\u0131 sa\u011flad\u0131\u011f\u0131n\u0131 da g\u00f6z ard\u0131 edemeyiz.<\/span><\/p>\n

Has\u0131l\u0131, hangi dilde olursa olsun yazmak zor i\u015ftir! \u0130nsanlara bir hikaye anlatmak, onlardan bunun i\u00e7in zaman istemek ve nihayetinde onlar\u0131 hikayeye ortak etmek d\u00fcnyan\u0131n en zor i\u015flerinden biridir. Hele ki hayat\u0131n g\u00fcn\u00fcm\u00fczde \u00e7ok h\u0131zland\u0131\u011f\u0131, 280 hatta 140 karakterin bile okuyucu bulmakta zorland\u0131\u011f\u0131 bir d\u00fcnyada en asgarisinden 200 bin karakterle insanlar\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kma hayli donki\u015fotvari bir eylemdir ki Don Ki\u015fot\u2019un bizzat kendisi edebiyat\u0131m\u0131z\u0131n membas\u0131d\u0131r zaten…<\/span><\/p>\n

Son s\u00f6z niyetine;<\/strong><\/p>\n

\u015eimdi d\u00f6n\u00fcp geriye bakt\u0131\u011f\u0131mda \u015funu \u00e7ok net tespit edebiliyorum: \u0130kinci \u00f6mr\u00fcm\u00fc ve ikinci \u015fehrim Z\u00fcrih\u2019i biraz olsun sa\u011fl\u0131kl\u0131 ve ayaklar\u0131m\u0131n \u00fczerinde ya\u015fayabildim ve ya\u015f\u0131yorsam bu kesinlikle yazmak sayesinde olmu\u015ftur. Bazen, yazmaya bir terapi olarak bakt\u0131\u011f\u0131m bile oluyor. B\u00fcy\u00fck \u00f6yk\u00fcc\u00fcm\u00fcz Sait Faik, \u201cYazmasam \u00e7\u0131ld\u0131r\u0131rd\u0131m\u201d demi\u015f ya, o hesap; y\u0131llar y\u0131llar sonra bir ba\u015fka co\u011frafyada bir ba\u015fka hayatta Sait Faik\u2019in o c\u00fcmlesini g\u00f6n\u00fcl rahatl\u0131\u011f\u0131yla Almaca yeniden kurabilirim:<\/span><\/p>\n

\u201cWenn ich es nicht geschrieben h\u00e4tte, w\u00fcrde ich durchdrehen.\u201d<\/span><\/p>\n

 <\/p>\n

Hasan Sever<\/b><\/p>\n

Kulturhaus Helferei – Z\u00fcrih, 17 Eyl\u00fcl 2021<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

“17 Eyl\u00fcl 2021 Cuma g\u00fcn\u00fc “Literaturhaus Z\u00fcrich” taraf\u0131ndan \u0130svi\u00e7re’nin Z\u00fcrih kentinde organize edilen ve konu\u015fmac\u0131 olarak davetli oldu\u011fum “\u0130svi\u00e7re’de Be\u015finci Dilde Edebiyat” adl\u0131 sempozyumda yazarl\u0131k ser\u00fcvenimi ve “ba\u015fka bir dilde” yazmaya dair deneyimlerimi payla\u015ft\u0131\u011f\u0131m sunumumun tam metni.<\/p>\n","protected":false},"author":2,"featured_media":2770,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"\u201cBa\u015fka bir dil\u201dde yazmak","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[55,58,45],"tags":[232,369,493,880,900,975,1087,1118],"class_list":["post-2768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deneme","category-edebiyat","category-yazilar","tag-birazcik-halil","tag-edebiyat","tag-hasan-sever","tag-roman-de","tag-sait-faik","tag-su-duydum","tag-yazmak","tag-zurih"],"yoast_head":"\n\u201cBa\u015fka bir dil\u201dde yazmak - 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Ba\u015fka\u2026","rel":"","context":""Deneme" i\u00e7inde","block_context":{"text":"Deneme","link":"https:\/\/hasansever.org\/?cat=55"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2025\/04\/VEO-2-scaled-1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2025\/04\/VEO-2-scaled-1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2025\/04\/VEO-2-scaled-1.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2025\/04\/VEO-2-scaled-1.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2025\/04\/VEO-2-scaled-1.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2025\/04\/VEO-2-scaled-1.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4457,"url":"https:\/\/hasansever.org\/?p=4457","url_meta":{"origin":2768,"position":2},"title":"\u201cYazabilece\u011finiz en iyi hik\u00e2ye \u00e7o\u011funlukla el uzatma mesafenizdedir.\u201d","author":"hasever","date":"12 Temmuz 2020","format":false,"excerpt":"Hasan Sever: \u201cYazabilece\u011finiz en iyi hik\u00e2ye \u00e7o\u011funlukla el uzatma mesafenizdedir.\u201d\u0130lk kez, 2015 y\u0131l\u0131nda\u00a0Birazc\u0131k Halil\u00a0roman\u0131yla okur kar\u015f\u0131s\u0131na \u00e7\u0131kan Hasan Sever\u2019le, yeni roman\u0131\u00a0Su Duydum\u00a0hakk\u0131nda konu\u015ftuk.\u00a0 Her iki roman\u0131 da Ayr\u0131nt\u0131 Yay\u0131nlar\u0131 etiketini ta\u015f\u0131yan Hasan Sever, sorular\u0131m\u0131za olanca i\u00e7tenli\u011fiyle ve \u00e7o\u011funlukla da s\u00f6z\u00fc fazla doland\u0131rmadan yan\u0131t verdi.- Son roman\u0131n\u0131z \u201cSu Duydum\u201du konu\u015fmaya ge\u00e7meden\u2026","rel":"","context":""Kitaplar" i\u00e7inde","block_context":{"text":"Kitaplar","link":"https:\/\/hasansever.org\/?cat=33"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/07\/Su-Duydum-Grafik-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4454,"url":"https:\/\/hasansever.org\/?p=4454","url_meta":{"origin":2768,"position":3},"title":"Bianet R\u00f6portaj – \u00d6S\/HK","author":"hasever","date":"12 Temmuz 2020","format":false,"excerpt":"Hasan Sever\u2019in ilk roman\u0131 \u201cBirazc\u0131k Halil\u201d, Ayr\u0131nt\u0131 Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kt\u0131. Y\u0131llar \u00f6nce \u00fclkesinden kopar\u0131lm\u0131\u015f ve \u00fclke d\u0131\u015f\u0131nda ya\u015famaya zorlanm\u0131\u015f. Sever \"Malum, 1990'l\u0131 y\u0131llar\" diyor; \"Devletin, \u00f6n\u00fcne gelen her dosyaya g\u00f6z\u00fc kapal\u0131 on veya on be\u015f y\u0131l ceza kesti\u011fi bir d\u00f6nemdi.\" 23 ya\u015f\u0131nda ayr\u0131ld\u0131\u011f\u0131 T\u00fcrkiye ve gurbette varolmay\u0131 yazm\u0131\u015f. \u0130lk roman\u0131 \"birazc\u0131k\u2026","rel":"","context":""Birazc\u0131k Halil" i\u00e7inde","block_context":{"text":"Birazc\u0131k Halil","link":"https:\/\/hasansever.org\/?cat=49"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/06\/Hasan-Sever-LS-scaled-e1592832336610-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/06\/Hasan-Sever-LS-scaled-e1592832336610-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/06\/Hasan-Sever-LS-scaled-e1592832336610-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/06\/Hasan-Sever-LS-scaled-e1592832336610-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/06\/Hasan-Sever-LS-scaled-e1592832336610-1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/06\/Hasan-Sever-LS-scaled-e1592832336610-1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3588,"url":"https:\/\/hasansever.org\/?p=3588","url_meta":{"origin":2768,"position":4},"title":"Der F\u00fchrer \u2013 II\u00a0","author":"hasever","date":"27 Ekim 2023","format":false,"excerpt":"Sava\u015flar\u0131n, bilimi geli\u015ftirdi\u011fi ve teknolojiyi ilerletti\u011fi tezini, ilkin, lise y\u0131llar\u0131mda duymu\u015ftum. Tezi dile getiren, \u201clise a\u015fk\u0131\u201dyla iltimasl\u0131 oldu\u011fundan, san\u0131r\u0131m, pek kayda de\u011fer bir yan\u0131t verememi\u015ftim. \u015eimdi, zaman a\u015f\u0131m\u0131ndan faydalan\u0131p bir iki c\u00fcmle kurabilirim san\u0131yorum. A\u015fk\u0131n zaman a\u015f\u0131m\u0131 olur mu bilmiyorum fakat \u201ca\u015fk ba\u015fka i\u015f ba\u015fka\u201d deyip, zaman zaman, genel ge\u00e7erin\u2026","rel":"","context":""Seyahat" i\u00e7inde","block_context":{"text":"Seyahat","link":"https:\/\/hasansever.org\/?cat=37"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2023\/10\/640px-RJ_596_near_Pfarrwerfen_13.12.2016-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2023\/10\/640px-RJ_596_near_Pfarrwerfen_13.12.2016-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2023\/10\/640px-RJ_596_near_Pfarrwerfen_13.12.2016-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2117,"url":"https:\/\/hasansever.org\/?p=2117","url_meta":{"origin":2768,"position":5},"title":"“De\u011firmenin Bendine …”","author":"hasever","date":"29 Ocak 2021","format":false,"excerpt":"Vefa\u2019ya... Onu ODT\u00dc 1. Yurt 3. kat dip merdiven ba\u015f\u0131nda elinde \u00e7ay barda\u011f\u0131yla hat\u0131rl\u0131yorum. Vefa\u2019ya dair zihnimdeki ilk g\u00f6r\u00fcnt\u00fc budur. Hararetli bir edebiyat tart\u0131\u015fmas\u0131n\u0131n i\u00e7indeydi. O zamanlar (da) zaman zaman alevlenen bir konuydu: Enver G\u00f6k\u00e7e mi Ahmed Arif mi? Hangisi daha b\u00fcy\u00fck \u015fairdi? Daha \u00f6tesi, Ahmed Arif\u2019in \u201cHasretinden Prangalar Eskittim\u201d\u2026","rel":"","context":""An\u0131 \/ Anma" i\u00e7inde","block_context":{"text":"An\u0131 \/ Anma","link":"https:\/\/hasansever.org\/?cat=48"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/posts\/2768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2768"}],"version-history":[{"count":0,"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/posts\/2768\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/media\/2770"}],"wp:attachment":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}