{"id":2808,"date":"2021-11-05T07:00:33","date_gmt":"2021-11-05T06:00:33","guid":{"rendered":"https:\/\/hasansever.org\/?p=2808"},"modified":"2021-11-05T07:00:33","modified_gmt":"2021-11-05T06:00:33","slug":"yazdigim-yasadigim","status":"publish","type":"post","link":"https:\/\/hasansever.org\/?p=2808","title":{"rendered":"Yazd\u0131\u011f\u0131m, ya\u015fad\u0131\u011f\u0131m"},"content":{"rendered":"

Sanat, durmam\u0131z\u0131, derin bir nefes almam\u0131z\u0131, g\u00fcne\u015fin \u0131\u015f\u0131d\u0131\u011f\u0131n\u0131, ay\u0131n g\u00f6\u011f\u00fcm\u00fczde parlad\u0131\u011f\u0131n\u0131, suyun \u00e7a\u011flad\u0131\u011f\u0131n\u0131 bize hissettirir. D\u00fcnyan\u0131n tela\u015f\u0131n\u0131 s\u0131rt\u0131nda ta\u015f\u0131yan bir kar\u0131ncan\u0131n ayak seslerini nas\u0131l duyar\u0131z? Duyabilir miyiz? Durmadan topra\u011f\u0131 e\u015fen bir k\u00f6stebe\u011fin sand\u0131\u011f\u0131m\u0131z\u0131n tersine sonsuz ve ayd\u0131nl\u0131k d\u00fcnyas\u0131n\u0131 nas\u0131l alg\u0131layabiliriz?<\/span><\/em><\/p>\n

<\/p>\n

Yazd\u0131\u011f\u0131m;<\/strong><\/span><\/p>\n

Tolstoy, yaratman\u0131n iki a\u015famal\u0131 oldu\u011funu s\u00f6yler: \u201c\u0130lk a\u015famada sanat\u00e7\u0131 ger\u00e7ekli\u011fi do\u011frudan alg\u0131lar, \u00e7oktan bilincine var\u0131lm\u0131\u015f olan yine bilin\u00e7d\u0131\u015f\u0131 konumuna d\u00fc\u015fer;\u201d der ve ekler \u201c\u0130kinci a\u015famada ise bu bilin\u00e7d\u0131\u015f\u0131 konumu yine bilin\u00e7le alg\u0131lama s\u00f6z konusudur (1).\u201d Yani e\u011fer d\u00fcz say\u0131lmayacaksa Tolstoy, i\u00e7e al\u0131nan\u0131n i\u015flendikten sonra yarat\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yler. Bu da en az\u0131ndan ba\u015flang\u0131\u00e7ta iki \u015feyi zaruri k\u0131lar: Ger\u00e7eklik ve onu ya\u015fama s\u00fcreci. Sosyal bir varl\u0131k olan insan \u00e7ok de\u011fi\u015fik tariflerle tan\u0131mlanm\u0131\u015ft\u0131r. Belki bir tan\u0131m da onun yaratmaya en yak\u0131n duran canl\u0131 oldu\u011fudur. Oksidiyen ta\u015f\u0131n\u0131 sopan\u0131n ucuna ba\u011flay\u0131p alet yapan atalar\u0131m\u0131z bu aleti hayatta kalmak i\u00e7in yapm\u0131\u015ft\u0131r. Fakat ne vakit ki o sapa bir g\u00fcl i\u015flemeye kalkm\u0131\u015ft\u0131r i\u015fte orada sanat devreye girmi\u015ftir. Belki de ilk sanatsal \u00fcretimimiz b\u00f6ylesi bir \u015feydi. Yine, ma\u011faran\u0131n duvar\u0131na hayvan fig\u00fcr\u00fc \u00e7izen atam\u0131za o fig\u00fcr\u00fcn bir yerinde, g\u00f6rd\u00fc\u011f\u00fc, \u00e7\u0131plak g\u00f6zle detaylad\u0131\u011f\u0131 hatta bir avc\u0131 olarak anatomik inceledi\u011fi hayvan\u0131n herhangi bir uzvunu ger\u00e7ekli\u011finden a\u015f\u0131r\u0131p, deforme ederek yeni bir form verdiren d\u00fcrt\u00fc, o g\u00fcnden, yani avc\u0131l\u0131k toplay\u0131c\u0131l\u0131ktan bu yana i\u00e7imizde harlanan d\u00fcrt\u00fc olageldi.<\/span><\/p>\n

O d\u00fcrt\u00fcn\u00fcn es(e\/i)riyiz.<\/span><\/p>\n

\u201cYemek ihtiya\u00e7, tad\u0131n\u0131 \u00e7\u0131karmak sanatt\u0131r\u201d <\/em>der Frans\u0131z yazar Fran\u00e7ois de La Rochefoucauld. Sanat\u0131n kendisi de ihtiya\u00e7t\u0131r asl\u0131nda ve burada tad\u0131n\u0131 \u00e7\u0131karmak de\u011fil icra \u00f6n plana \u00e7\u0131kar. Sanat\u0131n icras\u0131 sanatt\u0131r. \u0130cra edilen her ne ise, biraz \u00f6nce Tolstoy\u2019dan yapt\u0131\u011f\u0131m\u0131z al\u0131nt\u0131 \u00fczre, sanat\u00e7\u0131n\u0131n yarat\u0131m mekanizmalar\u0131ndan ge\u00e7tikten sonra kar\u015f\u0131m\u0131za yap\u0131t olarak \u00e7\u0131kar. Bu bazen ya\u015fad\u0131\u011f\u0131m\u0131z, bazen ya\u015famak istedi\u011fimiz bazen de ya\u015fad\u0131\u011f\u0131m\u0131z\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz \u015feydir. Her durumda sanat insana ya\u015fam sevinci a\u015f\u0131lama gayesindedir. Kimileri sanat i\u00e7in insan\u0131n ve do\u011fas\u0131n\u0131n y\u00fcceltilmesi der. Kimi Dostoyevski\u2019ye s\u0131\u011f\u0131n\u0131p insan\u0131n sonsuz bir cehennem oldu\u011funu, kimi Steinbeck\u2019e g\u00f6nderme yap\u0131p onun tepeden t\u0131rna\u011fa m\u00fccadele oldu\u011funu, kimi Naz\u0131m Hikmet’i referans al\u0131p hayat\u0131n \u00fcmit, sevda ve kavgadan m\u00fcrekkep oldu\u011funu s\u00f6yler. B\u00fct\u00fcn bunlar\u0131n ortak noktas\u0131 insand\u0131r. Sanat yapan hayvan, yani insan, yine yapt\u0131\u011f\u0131 sanatla d\u00f6ner kendini in\u015faa eder. Sanat biraz da Michelangelo\u2019nun Davut heykeli misali insan\u0131n durmadan kendi heykelini m\u00fckemmelle\u015ftirme \u00e7abas\u0131d\u0131r.<\/span><\/p>\n

Peki o \u00e7aba bug\u00fcne kadar ne i\u015fe yaram\u0131\u015ft\u0131r?<\/span><\/p>\n

Daha demin iki d\u00fcnya sava\u015f\u0131 yapm\u0131\u015f milyonlarca insan\u0131n ve canl\u0131n\u0131n \u00f6l\u00fcm\u00fcne sebep olmu\u015f olan yine o insan de\u011fil midir? Evet odur. Hatta g\u00fcn\u00fcm\u00fcz\u00fcn atlas\u0131nda parmak gezdirip \u00fc\u00e7 parmaktan sonra bir sava\u015f alan\u0131na denk gelmemize sebep olan insan da yine o insand\u0131r. Belki de bunu sanat olmadan buraya kadar bile gelemezdik diyerek yorumlamak zorunda kalaca\u011f\u0131z. \u00d6yle ya, ma\u011fara duvarlar\u0131na resimler \u00e7izip, G\u0131lgame\u015f\u2019in destan\u0131n\u0131 kil tablete ge\u00e7irdikten bu yana binlerce y\u0131l ge\u00e7ti ve biz hayattay\u0131z; \u015fehirlerdeyiz, binlercemiz, milyonlarcam\u0131z i\u00e7 i\u00e7e ya\u015f\u0131yor ve belli kurallara, bedensel ve maddi s\u0131n\u0131rlara riayet ediyoruz. Herhalde bunda sanat\u0131n rol\u00fcn\u00fc yads\u0131mayaca\u011f\u0131z. Sanat olmadan bug\u00fcne gelip gelemeyece\u011fimiz bir yana, \u015fu andan itibaren bile sanat olmadan koca koca \u015fehirlerde, bin y\u0131l evvelin sonsuz \u00e7ay\u0131rl\u0131klar\u0131nda ya\u015f\u0131yor gibi ferah bir g\u00f6ky\u00fcz\u00fc ya\u015famam\u0131z m\u00fcmk\u00fcn olmazd\u0131.<\/span><\/p>\n

Sanat\u00e7\u0131, pek a\u00e7\u0131k s\u00f6ylenmese de, san\u0131r\u0131m ilkin kendi i\u00e7in \u00fcretir ve \u00fcretti\u011fi, \u00fcretebildi\u011fi i\u00e7in de hayatta kal\u0131r. Sait Faik, \u201cYazmasayd\u0131m \u00e7\u0131ld\u0131r\u0131rd\u0131m\u201d demi\u015f. Buradaki hayatta kal\u0131\u015f pek tabii bir \u00f6l\u00fcm kal\u0131m sava\u015f\u0131 betimlemez. Bizatihi hayat\u0131n kendisinde, i\u00e7inde, izle\u011finde kalmay\u0131 tasvir eder. Sanat\u00e7\u0131n\u0131n huzursuzlu\u011fu denen \u015feydir bu \u00e7aba. Huzursuzluk do\u011fum sanc\u0131s\u0131d\u0131r. Ve sanat, insan\u0131n do\u011furmadan \u00fcreyebildi\u011fi yegane faaliyettir. Hani Paul Eluard, \u201c\u0130nsanlarda tek s\u0131cak kanun, \u00f6p\u00fcc\u00fcklerden insan yapmalar\u0131d\u0131r.\u201d der ya, i\u015fte sanat\u0131n da tek s\u0131cak kanunu budur: \u0130nsan yapmak.<\/span><\/p>\n

Nefes almak…<\/span><\/p>\n

Balzac, \u201cNerden ba\u015flarsan\u0131z ba\u015flay\u0131n her \u015fey ba\u011fl\u0131d\u0131r birbirine, i\u00e7 i\u00e7e ge\u00e7mi\u015ftir. Neden etkiyi sezinlememizi, etki de nedeni izlememizi sa\u011flar.(2)\u201d der. Peki biz her \u015feyin birbirine ba\u011fland\u0131\u011f\u0131n\u0131 biliyor olsak bile, g\u00fcn\u00fcm\u00fcz kalabal\u0131\u011f\u0131nda ve h\u0131zl\u0131 ya\u015fam\u0131nda bunu g\u00fcnl\u00fck hayat\u0131m\u0131zda fark edebiliyor muyuz? Pek emin de\u011filim. H\u0131zl\u0131 ya\u015fad\u0131\u011f\u0131m\u0131z, h\u0131zl\u0131 t\u00fcketti\u011fimiz ve h\u0131zl\u0131 t\u00fckendi\u011fimiz bir d\u00fcnyada kim bize derin bir nefes ald\u0131racak? Kim veya ne bizi sonsuz ufuklara bakt\u0131r\u0131p miyop olmu\u015f g\u00f6zlerimize ve hatta miyop olmu\u015f d\u00fc\u015f ve d\u00fc\u015f\u00fcncelerimize ince ayar verebilecek? Milyonlarcam\u0131z her sabah mesaiye gidip yine ayn\u0131 yollardan evlerimize d\u00f6n\u00fcyoruz. Kendimizi hayat\u0131n rutinine b\u0131rakt\u0131\u011f\u0131m\u0131zda ne alt\u0131nda ya\u015fad\u0131\u011f\u0131m\u0131z g\u00f6\u011f\u00fcn mavisini ne de i\u00e7inden ge\u00e7ip gitti\u011fimiz sokaklar\u0131n dilini anlayabiliriz. Belki de hepimiz ya\u015fad\u0131\u011f\u0131m\u0131z hayata bir \u015f\u00fckran olarak onu sakin bir kafayla kendimize anlatmak zorunday\u0131z. Sanat en nihayetinde bunu yapar i\u015fte.<\/span><\/p>\n

Sanat hayata duyulan \u015f\u00fckran\u0131n ifadesidir.<\/span><\/p>\n

Sanat, durmam\u0131z\u0131, derin bir nefes almam\u0131z\u0131, g\u00fcne\u015fin \u0131\u015f\u0131d\u0131\u011f\u0131n\u0131, ay\u0131n g\u00f6\u011f\u00fcm\u00fczde parlad\u0131\u011f\u0131n\u0131, suyun \u00e7a\u011flad\u0131\u011f\u0131n\u0131 bize hissettirir. D\u00fcnyan\u0131n tela\u015f\u0131n\u0131 s\u0131rt\u0131nda ta\u015f\u0131yan bir kar\u0131ncan\u0131n ayak seslerini nas\u0131l duyar\u0131z? Duyabilir miyiz? Durmadan topra\u011f\u0131 e\u015fen bir k\u00f6stebe\u011fin sand\u0131\u011f\u0131m\u0131z\u0131n tersine sonsuz ve ayd\u0131nl\u0131k d\u00fcnyas\u0131n\u0131 nas\u0131l alg\u0131layabiliriz? Y\u00fczlerce metre \u00fcst\u00fcm\u00fczden u\u00e7an bir turna ku\u015funun kanatlar\u0131 alt\u0131nda akan havan\u0131n serinli\u011fini y\u00fcz\u00fcm\u00fczde nas\u0131l duyar\u0131z? Duyabilir miyiz? Evet. Hatta g\u00f6\u00e7er bir ku\u015fun kanatlar\u0131na kamera tak\u0131p bir k\u0131tadan ba\u015fka bir k\u0131taya da gidebiliriz. Fakat bu olanak olmadan da insanlar bu sorular\u0131n hepsine evet yan\u0131t\u0131 vermi\u015flerdir. Halk \u015fark\u0131lar\u0131na bak\u0131n. D\u00fcnyan\u0131n b\u00fct\u00fcn sesleri, b\u00fct\u00fcn renkleri, canl\u0131 cans\u0131z her nesnenin ya\u015fama, var olma gayesi vard\u0131r orada. Sanat insan\u0131n\u0131n bilimsel teknoloji ile icatlar yapmadan \u00f6nce g\u00f6r\u00fcnmeyeni g\u00f6rebilmek i\u00e7in elindeki tek olanakt\u0131. Ve bug\u00fcn bu olanak geli\u015fmi\u015f teknolojiye ra\u011fmen at\u0131l kalm\u0131\u015f de\u011fildir. \u0130\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z \u015fehirlere sanat sayesinde yerle\u015firiz. Birlikte hayat payla\u015ft\u0131\u011f\u0131m\u0131z insanlarla sanat\u0131n var etme g\u00fcc\u00fc sayesinde iyiye, g\u00fczele do\u011fru ortak bir m\u00fccadele paydas\u0131 olu\u015ftururuz. Ve yine sanat\u0131n tedavi g\u00fcc\u00fc sayesindedir ki, kanl\u0131 tarihlerin bedenlerimizde a\u00e7t\u0131\u011f\u0131 a\u011f\u0131r yaralar\u0131 pansuman ederiz. Pospelov\u2019un dedi\u011fi gibi, \u201c\u00d6teki bi\u00e7imler gibi ve \u00f6zellikle de bilim gibi sanat da ger\u00e7ekli\u011fin bilinmesine yard\u0131mc\u0131 olur.(3)\u201d<\/span><\/p>\n

Sanat, galiba, ger\u00e7ekli\u011fin katibidir; katipse sanat\u00e7\u0131…<\/span><\/p>\n

Ya\u015fad\u0131\u011f\u0131m;<\/strong><\/span><\/p>\n

Hayat\u0131mda iki Z\u00fcrih var. Biri 23 ya\u015f\u0131nda geldi\u011fim, i\u00e7inde g\u00fcnl\u00fck hayat\u0131m\u0131 ifa etti\u011fim, di\u011feri ise Su Duydum<\/em> roman\u0131yla yeniden kurdu\u011fum ve kurmacamla birlikte i\u00e7inde ya\u015fad\u0131\u011f\u0131m Z\u00fcrih. Limmat\u2019a her bak\u0131\u015f\u0131mda Feride\u2019nin g\u00f6zlerini hat\u0131rlar\u0131m. B\u00fcrkliplatz liman\u0131na yana\u015fm\u0131\u015f her gemi bana Laz \u0130smail\u2019i hat\u0131rlat\u0131r. Ferdi vard\u0131r her m\u00fczik d\u00fckkan\u0131n\u0131n i\u00e7inde. Helvetiaplatz\u2019da \u0130kinci el pazar\u0131nda her plak Zeki M\u00fcren plaklar\u0131na benzer biraz da. Ve yazar olarak ben, kimi vakit kurmacadan ger\u00e7e\u011fe, kimi vakit ger\u00e7ekten kurmacaya ka\u00e7ar\u0131m. Bu haliyle sanki Z\u00fcrih \u00e7ok daha ya\u015fan\u0131las\u0131 bir \u015fehirdir. Kimi vakit Su Duydum<\/em>\u2019un sayfalar\u0131ndan al\u0131n\u0131p Lindenplatz\u2019a b\u0131rak\u0131lm\u0131\u015f hissederim kendimi. Y\u0131ld\u0131z hem\u015firenin hikayesini dinlerim Feride\u2019den. Feride, Y\u0131ld\u0131z hem\u015fireyi bir F\u00fcru\u011f \u015fiiri gibi anlat\u0131r. G\u00f6z\u00fc Limmat\u2019ta, ba\u015f\u0131 y\u0131ld\u0131zlarda, Naz\u0131m nas\u0131l bakarsa \u0130stanbul\u2019a \u00f6yle bakar hayata. K\u0131skan\u0131r\u0131m kimi zaman; Feride\u2019yi F\u00fcru\u011f\u2019dan, F\u00fcru\u011f\u2019u Naz\u0131m\u2019dan; bir par\u00e7am Ferdi midir diye \u00e7ok yoklar\u0131m kendimi; de\u011fil. Bir par\u00e7am Z\u00fcrih midir diye sorgular\u0131m bedenimi. Neresine benziyorum bu \u015fehrin? Kollar\u0131m, g\u00f6vdem, ayaklar\u0131m; Niederdorf\u2019ta darac\u0131k bir Gasse<\/em> olsam derim. Tarih koksam, arnavut kald\u0131r\u0131mlarda ya\u015fanm\u0131\u015f onca hayat\u0131n izi olsam. De\u011fil mi ki ETH teras\u0131ndan Uetliberg\u2019e el uzatsam Utokulm\u2019a de\u011fecekmi\u015f kadar deccal kollu san\u0131r\u0131m kendimi fakat \u015fehir sakinle\u015ftirir beni. Usul usul ya\u011fan bir orta Avrupa ya\u011fmuru gibi inerim Seilergraben boyunca. Dur der, Feride, dur ve etraf\u0131na bak. \u201cYa\u015famak g\u00fczel \u015fey be karde\u015fim\u201d de\u011fil mi? Ses Naz\u0131m\u2019\u0131n fakat Feride\u2019nin a\u011fz\u0131ndan \u00e7\u0131kar. \u0130\u015fte b\u00f6yle b\u00f6yle anlar\u0131m ki yazmad\u0131\u011f\u0131n \u015fehir senin de\u011fildir. Demin de dedim tekrarlayay\u0131m:<\/span><\/p>\n

Sanat hayata duyulan \u015f\u00fckran\u0131n ifadesidir.<\/span><\/p>\n

Ve \u201cEkmek yedim, su i\u00e7tim ben nas\u0131l yads\u0131yay\u0131m\u201d diyen Hasan H\u00fcseyin dizesi al\u0131r beni Hitit\u00e7e\u2019nin dilimize \u00e7evrilmi\u015f ilk c\u00fcmlesine g\u00f6t\u00fcr\u00fcr: \u201c\u015eimdi ekmek yiyeceksin, su i\u00e7eceksin.\u201d<\/span><\/p>\n

Ya\u015fayacaks\u0131n.<\/span><\/p>\n

Ya\u015famay\u0131 bir g\u00f6rev bileceksin.<\/span><\/p>\n

Velhas\u0131l;<\/span><\/p>\n

D\u00fcnden bug\u00fcne de\u011fi\u015fen bir \u015fey yok, d\u00fcn kil tabletlere, bug\u00fcnse bilgisayar ekranlar\u0131na i\u015faretler b\u0131rak\u0131yoruz; hayat\u0131n i\u015faretlerini…<\/span><\/p>\n

Hasan Sever<\/strong><\/span><\/p>\n

<\/div>\n

Z\u00fcrih, 7 Eyl\u00fcl 2021<\/strong><\/span><\/p>\n

Not 1: Bu yaz\u0131 ilk olarak 28 Eyl\u00fcl 2021 tarihinde literaedebiyat<\/a>‘ta yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n

Not 2: Al\u0131nt\u0131lar Cengiz G\u00fcndo\u011fdu’nun Estetik Kalk\u0131\u015fma, \u0130nsanc\u0131l Yay\u0131nlar\u0131, \u0130stanbul, Eyl\u00fcl 2012 kitab\u0131ndan.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sanat, durmam\u0131z\u0131, derin bir nefes almam\u0131z\u0131, g\u00fcne\u015fin \u0131\u015f\u0131d\u0131\u011f\u0131n\u0131, ay\u0131n g\u00f6\u011f\u00fcm\u00fczde parlad\u0131\u011f\u0131n\u0131, suyun \u00e7a\u011flad\u0131\u011f\u0131n\u0131 bize hissettirir. D\u00fcnyan\u0131n tela\u015f\u0131n\u0131 s\u0131rt\u0131nda ta\u015f\u0131yan bir kar\u0131ncan\u0131n ayak seslerini nas\u0131l duyar\u0131z? Duyabilir miyiz? Durmadan topra\u011f\u0131 e\u015fen bir k\u00f6stebe\u011fin sand\u0131\u011f\u0131m\u0131z\u0131n tersine sonsuz ve ayd\u0131nl\u0131k d\u00fcnyas\u0131n\u0131 nas\u0131l alg\u0131layabiliriz?<\/p>\n","protected":false},"author":2,"featured_media":2809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[55,58,45],"tags":[279,369,410,493,1015,1085],"class_list":["post-2808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deneme","category-edebiyat","category-yazilar","tag-cengiz-gundogdu","tag-edebiyat","tag-estetik-kalkisma","tag-hasan-sever","tag-tolstoy","tag-yazdigim-yasadigim"],"yoast_head":"\nYazd\u0131\u011f\u0131m, ya\u015fad\u0131\u011f\u0131m - HASAN SEVER<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hasansever.org\/?p=2808\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yazd\u0131\u011f\u0131m, ya\u015fad\u0131\u011f\u0131m - HASAN SEVER\" \/>\n<meta property=\"og:description\" content=\"Sanat, durmam\u0131z\u0131, derin bir nefes almam\u0131z\u0131, g\u00fcne\u015fin \u0131\u015f\u0131d\u0131\u011f\u0131n\u0131, ay\u0131n g\u00f6\u011f\u00fcm\u00fczde parlad\u0131\u011f\u0131n\u0131, suyun \u00e7a\u011flad\u0131\u011f\u0131n\u0131 bize hissettirir. 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Z\u00fcrih\u2019e geldi\u011fimde 23 ya\u015f\u0131ndayd\u0131m. Asl\u0131nda c\u00fcmleyi \u015f\u00f6yle kurmal\u0131y\u0131m: Kendimi Z\u00fcrih denen \u015fehre att\u0131\u011f\u0131mda\u2026","rel":"","context":""Deneme" i\u00e7inde","block_context":{"text":"Deneme","link":"https:\/\/hasansever.org\/?cat=55"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/10\/Wasserrauschen-Su-Duydum-Hasan-Sever-scaled-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/10\/Wasserrauschen-Su-Duydum-Hasan-Sever-scaled-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/10\/Wasserrauschen-Su-Duydum-Hasan-Sever-scaled-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/10\/Wasserrauschen-Su-Duydum-Hasan-Sever-scaled-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/10\/Wasserrauschen-Su-Duydum-Hasan-Sever-scaled-1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/10\/Wasserrauschen-Su-Duydum-Hasan-Sever-scaled-1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2117,"url":"https:\/\/hasansever.org\/?p=2117","url_meta":{"origin":2808,"position":2},"title":"“De\u011firmenin Bendine …”","author":"hasever","date":"29 Ocak 2021","format":false,"excerpt":"Vefa\u2019ya... Onu ODT\u00dc 1. Yurt 3. kat dip merdiven ba\u015f\u0131nda elinde \u00e7ay barda\u011f\u0131yla hat\u0131rl\u0131yorum. Vefa\u2019ya dair zihnimdeki ilk g\u00f6r\u00fcnt\u00fc budur. Hararetli bir edebiyat tart\u0131\u015fmas\u0131n\u0131n i\u00e7indeydi. O zamanlar (da) zaman zaman alevlenen bir konuydu: Enver G\u00f6k\u00e7e mi Ahmed Arif mi? Hangisi daha b\u00fcy\u00fck \u015fairdi? Daha \u00f6tesi, Ahmed Arif\u2019in \u201cHasretinden Prangalar Eskittim\u201d\u2026","rel":"","context":""An\u0131 \/ Anma" i\u00e7inde","block_context":{"text":"An\u0131 \/ Anma","link":"https:\/\/hasansever.org\/?cat=48"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/IMG_1909-1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":3921,"url":"https:\/\/hasansever.org\/?p=3921","url_meta":{"origin":2808,"position":3},"title":"Yazar\u0131n Odas\u0131: Hasan Sever | Meltem Da\u011fc\u0131","author":"hasever","date":"14 Eyl\u00fcl 2024","format":false,"excerpt":"Edebiyat\u00e7\u0131lar\u0131n ya\u015famlar\u0131n\u0131, yazd\u0131klar\u0131 mek\u00e2nlar\u0131, son zamanlarda okudu\u011fu kitaplar\u0131 bu defa yak\u0131nlar\u0131n\u0131n g\u00f6z\u00fcnden mercek alt\u0131na almaya \u00e7al\u0131\u015ft\u0131k. Yazar Hasan Sever\u2019i, e\u015fi \u00d6zdem \u00d6z\u00f6nder Sever ile konu\u015ftuk. Yaz\u0131lar\u0131n\u0131 nerede yazar? Yazarken denk geldi\u011finizde o an ya\u015fad\u0131\u011f\u0131n\u0131z ilgin\u00e7 bir an\u0131n\u0131z oldu mu? Yaz\u0131lar\u0131n\u0131 \u00e7al\u0131\u015fma odas\u0131nda ve genelde el ayak \u00e7ekildi\u011finde yazar. Dolay\u0131s\u0131yla yazarken\u2026","rel":"","context":""\u00c7ocuklu\u011fun G\u00f6lgesi - Cilt I" i\u00e7inde","block_context":{"text":"\u00c7ocuklu\u011fun G\u00f6lgesi - Cilt I","link":"https:\/\/hasansever.org\/?cat=52"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2024\/09\/HasanSever-02-2048x1536-1-1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2024\/09\/HasanSever-02-2048x1536-1-1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2024\/09\/HasanSever-02-2048x1536-1-1.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2024\/09\/HasanSever-02-2048x1536-1-1.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2024\/09\/HasanSever-02-2048x1536-1-1.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2024\/09\/HasanSever-02-2048x1536-1-1.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":4467,"url":"https:\/\/hasansever.org\/?p=4467","url_meta":{"origin":2808,"position":4},"title":"D\u00fcn\u00fcn k\u00e2tipleri bug\u00fcn\u00fcn yazarlar\u0131; d\u00fcn\u00fcn tabletleri bug\u00fcn\u00fcn kitaplar\u0131","author":"hasever","date":"20 Temmuz 2020","format":false,"excerpt":"\u201cElini a\u011fz\u0131yla e\u015fit h\u0131zla hareket ettirebilen k\u00e2tip, ger\u00e7ek k\u00e2tiptir.\u201d -\u00a0S\u00fcmer Atas\u00f6z\u00fc Bu S\u00fcmer atas\u00f6z\u00fc belki de yazara ve onun i\u015flevine dair edilmi\u015f en eski atas\u00f6z\u00fcd\u00fcr. Ne de olsa yaz\u0131y\u0131 S\u00fcmerler buldu ve o g\u00fcn bu g\u00fcnd\u00fcr bizler bu mucizenin s\u0131rr\u0131n\u0131 \u00e7\u00f6zmeye gayret ediyoruz. Asl\u0131nda gayret mi ediyoruz yoksa ondan ka\u00e7maya\u2026","rel":"","context":""Edebiyat" i\u00e7inde","block_context":{"text":"Edebiyat","link":"https:\/\/hasansever.org\/?cat=58"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/07\/edebiyat_bulusmasi_2-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/07\/edebiyat_bulusmasi_2-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/07\/edebiyat_bulusmasi_2-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2646,"url":"https:\/\/hasansever.org\/?p=2646","url_meta":{"origin":2808,"position":5},"title":"Ankara\u2019dan Z\u00fcrih\u2019e uzanan bir yazma hik\u00e2yesi: Hasan Sever","author":"hasever","date":"13 A\u011fustos 2021","format":false,"excerpt":"Edebiyat okurlar\u0131n\u0131n Ayr\u0131nt\u0131 Yay\u0131nlar\u0131\u2019ndan \u00e7\u0131kan \u201cBirazc\u0131k Halil\u201d ve \u201cSu Duydum\u201d romanlar\u0131yla tan\u0131d\u0131\u011f\u0131 Yazar Hasan Sever ile ya\u015fam\u0131n\u0131, Ankara\u2019y\u0131, Z\u00fcrih\u2019i, g\u00f6\u00e7menli\u011fi, edebiyat\u0131, yazmay\u0131, kitaplar\u0131n\u0131 ve sat\u0131r aralar\u0131nda sakl\u0131 pek \u00e7ok meseleyi, mesela \u00f6zlemi ve direnmeyi konu\u015ftuk. Hasan Sever 24 Saat\u2019in sorular\u0131n\u0131 yan\u0131tl\u0131yor\u2026 SULTAN YAVUZ \/ ANKARA \u2013 10 A\u011fustos 2021 \u2013\u2026","rel":"","context":""Kitaplar" i\u00e7inde","block_context":{"text":"Kitaplar","link":"https:\/\/hasansever.org\/?cat=33"},"img":{"alt_text":"Hasan Sever","src":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/08\/Hasan-Sever-1-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/08\/Hasan-Sever-1-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/08\/Hasan-Sever-1-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/08\/Hasan-Sever-1-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/08\/Hasan-Sever-1-1.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/08\/Hasan-Sever-1-1.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/posts\/2808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2808"}],"version-history":[{"count":0,"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/posts\/2808\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=\/wp\/v2\/media\/2809"}],"wp:attachment":[{"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hasansever.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}