Ingmar Bergman, Yaban \u00c7ile\u011fi filminde \u00f6l\u00fcm\u00fc, akrep ve yelkovan\u0131 olmayan saate benzetir. Zaman vard\u0131r, var olacakt\u0131r, lakin kolumuz kanad\u0131m\u0131z olan akrep ve yelkovan d\u00fc\u015fm\u00fc\u015ft\u00fcr art\u0131k. Zaman\u0131 de\u011fil, zaman\u0131m\u0131z\u0131 hi\u00e7bir daim g\u00f6steremeyece\u011fiz: Bitti. Das Ende.<\/p>\n\n\n\n\n\n\n\n
Cihan K\u0131rm\u0131z\u0131g\u00fcl ismi, nam\u0131 di\u011fer Po\u015fulu \u00c7ocuk, gazete sayfalar\u0131na, internet sitelerine d\u00fc\u015ft\u00fc\u011f\u00fcnde ben s\u00fcrg\u00fcn\u00fcm\u00fcn \u201cpa\u015fal\u0131k\u201d r\u00fctbesine merdiven dayam\u0131\u015ft\u0131m (takriben 10be\u015finci y\u0131ldan sonra ge\u00e7ilen evre). Cihan, gel oldu git oldu; i\u00e7eri girdi, \u00e7\u0131kt\u0131 ve bir d\u00f6nem haber kanallar\u0131m\u0131n mecras\u0131ndan \u00e7\u0131k\u0131verdi. Sonra, hi\u00e7 hesapta olmayan bir zamanda yine kar\u015f\u0131ma \u00e7\u0131kt\u0131. Me\u011fer o da s\u00fcrg\u00fcn yollar\u0131na d\u00fc\u015fm\u00fc\u015fm\u00fc\u015f; \u00fcstelik ya\u015fad\u0131\u011f\u0131m \u015fehirden 4 \u201ch\u0131zl\u0131 tren\u201d saati mesafede, Paris\u2019te ya\u015f\u0131yormu\u015f. <\/p>\n\n\n\n
Ho\u015f geldi.<\/p>\n\n\n\n
Bana bu yaz\u0131y\u0131 yazd\u0131ran ise hikayenin \u201cOt Dergisi\u201dne man\u015fet d\u00fc\u015fen r\u00f6portaj\u0131.<\/p>\n\n\n\n
\u201c\u0130nsanlar hangi y\u0131lda s\u00fcrg\u00fcn oldularsa o y\u0131llarda ya\u015famaya devam ediyorlar. 20-30 sene sonra ben de hala 2010\u2019larda m\u0131 kalm\u0131\u015f olaca\u011f\u0131m diye d\u00fc\u015f\u00fcn\u00fcyorum.\u201d<\/p><\/blockquote>\n\n\n\n
\u00c7\u00f6z\u00fcn\u00fcrl\u00fc\u011f\u00fc d\u00fc\u015f\u00fck r\u00f6portaj sayfas\u0131 foto\u011fraf\u0131ndan miyop g\u00f6zlerle okuyabildi\u011fim en net c\u00fcmle bu oldu. Asl\u0131, bundan gayr\u0131s\u0131n\u0131n da \u00e7ok fazla etkisi olamazd\u0131. <\/p>\n\n\n\n
\u201cHay\u0131r,\u201d dedim kendi kendime, \u201chemencecik nas\u0131l da fark\u0131na varm\u0131\u015f.\u201d<\/p>\n\n\n\n
Evet, aynen Cihan\u2019\u0131n dedi\u011fi gibi oluyor. \u0130nsan, gitti\u011fi her yere, beraberinde, zaman\u0131n\u0131, yani Bergman\u2019\u0131n y\u0131llar evvel dahiyane bir \u015fekilde sinema perdesine aktard\u0131\u011f\u0131 gibi, akrep ve yelkovan\u0131n\u0131 da g\u00f6t\u00fcr\u00fcyor. Hal b\u00f6yle olunca, terk etti\u011finiz hayat\u0131n (evet, s\u00fcrg\u00fcn, \u00e7ok hayatl\u0131l\u0131kt\u0131r) zaman\u0131 sizin onu terk etti\u011finiz zamanda kal\u0131yor.<\/p>\n\n\n\n
\u201c\u0130ki \u00f6mr\u00fcm var<\/p>
Biri,<\/p>
Marmara\u2019ya k\u0131y\u0131<\/p>
Ad\u0131n\u0131 bilmedi\u011fim bir koyda<\/p>
Durur yirmi \u00fc\u00e7 ya\u015f\u0131nda.<\/p>
Di\u011feri yan\u0131mda<\/p>
On yedisinde<\/p>
B\u00fcy\u00fct\u00fcyorum <\/p>
Kararm\u0131\u015f \u00e7at\u0131lar\u0131n \u015fehrinde.\u201d<\/p><\/blockquote>\n\n\n\n
40 ya\u015f \u015fiirimde, mekan ve zaman\u0131 (Z\u00fcrih, 6 May\u0131s 2012, 01:02) tam\u0131 tam\u0131na belirterek b\u00f6yle yazm\u0131\u015f\u0131m. Hakikaten b\u00f6yle oluyor. Bazen, i\u00e7imden, \u015fu kitaplar\u0131 toplay\u0131p, yar\u0131nki 8.40 dersine gideyim, diye ge\u00e7irirken yakal\u0131yorum kendimi. Oysa \ud83d\ude42 8.40 dersinin \u00fczerinden tertemizinden 18 y\u0131l ge\u00e7ti.<\/p>\n\n\n\n
Cihan, r\u00f6portajda \u201c20-30 sene sonra\u201d diyor. 20-30 sene, dile kolay, neresinden bakarsan\u0131z bak\u0131n, bir \u00f6mr\u00fcn en esasl\u0131 y\u0131llar\u0131. B\u00f6ylece s\u00f6yleyiveriyoruz i\u015fte. Oysa, d\u00fc\u015f\u00fcn\u00fcn ki, onun her saniyesini, her \u201can\u201d\u0131n\u0131 ya\u015fayacak ve hissedeceksiniz.<\/p>\n\n\n\n
Umar\u0131m Cihan\u2019\u0131n s\u00fcrg\u00fcn\u00fc uzun s\u00fcrmez. <\/p>\n\n\n\n
Matematikte \u201cb\u00fck\u00fcm noktas\u0131\u201d diye bir kavram vard\u0131r. K\u0131saca, fonksiyonun y\u00f6n de\u011fi\u015ftirdi\u011fi nokta olarak tan\u0131mlanabilir; o noktan\u0131n ikinci t\u00fcrevi s\u0131f\u0131rd\u0131r. Hayata uygulamak icap ederse, hayat zaten bir fonksiyondur; t\u00fcrevi de \u201ctemize \u00e7ekmek\u201d olarak d\u00fc\u015f\u00fcnebiliriz. \u0130\u015fte \u00f6yle bir an gelir ki, temize \u00e7ekti\u011finiz eski hayattan elinizde \u201cs\u0131f\u0131r\u201d kal\u0131r. O noktadan sonra, kadim \u015fark\u0131 ve Zeki M\u00fcren\u2019le ba\u015fba\u015fa kal\u0131r insan: \u201cGitmek mi zor kalmak m\u0131 zor\u201d Neyse ki, akl\u0131m\u0131zda Arkada\u015f’\u0131n \u00f6\u011f\u00fcd\u00fc, Zeki M\u00fcren ve \u015fark\u0131lar\u0131n\u0131 hep severiz.<\/p>\n\n\n\n
Bitiriyorum,<\/p>\n\n\n\n
S\u00fcrg\u00fcn deyince iki \u015fey hat\u0131rlar\u0131m; evvelinden. Biri Abbas Kiarostami\u2019nin s\u00f6z\u00fcd\u00fcr:<\/p>\n\n\n\n
\u201cBir a\u011fac\u0131 k\u00f6k sald\u0131\u011f\u0131 yerden ay\u0131r\u0131p ba\u015fka bir yere ta\u015f\u0131rsan\u0131z, a\u011fa\u00e7 meyve vermez olur. Verse de, kendi yerindeyken verece\u011fi meyve kadar g\u00fczel olmaz. Bu, do\u011fan\u0131n kanunudur. Bence, \u00fclkemi terk etmi\u015f olsayd\u0131m, aynen o a\u011fa\u00e7 gibi olurdum.\u201d <\/p>Abbas Kiarostami<\/cite><\/blockquote>\n\n\n\n
\u0130kincisi, Bertold Brecht\u2019e aittir:<\/p>\n\n\n\n
\u201cS\u00fcrg\u00fcn demek, dil demektir.\u201d<\/p>Bertold Brecht<\/cite><\/blockquote>\n\n\n\n
\u00dcstadlara ek yapacak de\u011filim; lakin yine de \u201cmutlu son\u201d olsun istiyorum.<\/p>\n\n\n\n
Herkesin birinci, s\u00fcrg\u00fcn\u00fcn ise en birinci g\u00f6revi hayatta kalmakt\u0131r. \u00c7\u00fcnk\u00fc sizi uzak diyarlara yollayan, asl\u0131nda, git ve kaybol oralarda demek ister. Kaybolmayaca\u011f\u0131z. Nanis\u2019in kendini Limmat \u00c7ay\u0131\u2019na b\u0131rakmadan \u00f6nce s\u00f6\u011f\u00fct dal\u0131na b\u0131rakt\u0131\u011f\u0131 K\u0131rm\u0131z\u0131 Atk\u0131\u2019y\u0131; ve yine, demincek, Lyon\u2019da, g\u00fcl\u00fc\u015f\u00fcnden geriye yanm\u0131\u015f bedeni kalan gencecik \u00e7ocu\u011fumuz Bar\u0131\u015f Ataman\u2019\u0131 unutmayaca\u011f\u0131z.<\/p>\n\n\n\n
\u201cMutlu son\u201d dedim, beceremedim. Bir kez daha deniyorum:<\/p>\n\n\n\n
B\u00f6l\u00fcnemez denen zaman\u0131 b\u00f6ld\u00fc\u011f\u00fcnden midir, yoksa bulut ok\u015fayan k\u0131rlang\u0131\u00e7 kanad\u0131 t\u00fcy\u00fcnden midir bilinmez, orada bir hayat vard\u0131r, y\u0131lan\u0131n kabu\u011funu ard\u0131nda b\u0131rakt\u0131\u011f\u0131 gibi, kabuk bir daha dolmasa da ispat\u0131d\u0131r y\u0131lan\u0131n o topra\u011fa beden s\u00fcrd\u00fc\u011f\u00fcn\u00fcn.<\/p><\/blockquote>\n\n\n\n
Hem, ister orada, ister bir ba\u015fka yerde, hayattan geriye b\u0131rakt\u0131\u011f\u0131m\u0131z sadece bir iz de\u011fil midir zaten! <\/p>\n\n\n\n
Hasan Sever <\/strong><\/p>\n\n\n\n
Z\u00fcrih, 22 Haziran 2014<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
Ingmar Bergman, Yaban \u00c7ile\u011fi filminde \u00f6l\u00fcm\u00fc, akrep ve yelkovan\u0131 olmayan saate benzetir. Zaman vard\u0131r, var olacakt\u0131r, lakin kolumuz […]<\/p>\n","protected":false},"author":1,"featured_media":1166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[186,5],"tags":[151,398,401,399,390,395,393,391,400,394,396,392,553],"class_list":["post-1165","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-deneme","category-yazilar","tag-abbas-kiarostami","tag-arkadas-ozger","tag-baris-ataman","tag-bertold-brecht","tag-bolunmus-zaman","tag-bukum-noktasi","tag-cihan-kirmizigul","tag-ingmar-bergman","tag-nanis","tag-posulu-cocuk","tag-surgun","tag-yaban-cicekleri","tag-zeki-muren"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pcbKCK-iN","jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2020\/08\/Yaban-cilekleri.png?fit=768%2C575&ssl=1","_links":{"self":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts\/1165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/comments?post=1165"}],"version-history":[{"count":6,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts\/1165\/revisions"}],"predecessor-version":[{"id":1796,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts\/1165\/revisions\/1796"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/media\/1166"}],"wp:attachment":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/media?parent=1165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/categories?post=1165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/tags?post=1165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}