{"id":2003,"date":"2021-01-08T07:00:00","date_gmt":"2021-01-08T06:00:00","guid":{"rendered":"https:\/\/hasansever.org\/?p=2003"},"modified":"2021-01-08T08:17:54","modified_gmt":"2021-01-08T07:17:54","slug":"bir-ayrilik-bir-yoksulluk","status":"publish","type":"post","link":"https:\/\/hasansever.org\/tr_TR\/2021\/01\/08\/bir-ayrilik-bir-yoksulluk\/","title":{"rendered":"Bir Ayr\u0131l\u0131k, (bir yoksulluk, \u2026)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Nedir bu damar\u0131n kayna\u011f\u0131? Uzaktan bak\u0131nca, ot b\u00fcy\u00fcm\u00fcz denen \u201cmolla devrimi\u201dnin topra\u011f\u0131nda, nas\u0131l oluyor da bu t\u00fcr bir sinema hayat bulabiliyor? Yoksa \u201cmolla devrimi\u201d o toprakta \u00f6n\u00fc al\u0131namam\u0131\u015f ayr\u0131k otu mu?<\/em><\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Asghar Farhadi \u201cElly Hakk\u0131nda\u201d filminde yine orta tabaka \u0130ranl\u0131lar\u0131n hikayesine motor demi\u015f fakat, bence, e\u015fikte bir filme imza atm\u0131\u015ft\u0131. Ayr\u0131l\u0131k\u2019a ba\u015flamadan \u00f6nce, bir ka\u00e7 c\u00fcmleyle \u201cElly Hakk\u0131nda\u201dy\u0131 neden e\u015fikte buldu\u011fumu a\u00e7\u0131klamak isterim. \u0130ran Sinemas\u0131\u2019ndan kendi ad\u0131ma ald\u0131\u011f\u0131m en b\u00fcy\u00fck lezzet, malumun hikayesini anlatmas\u0131d\u0131r. Gerek \u201cR\u00fczgar Bizi S\u00fcrkleyecek\u201dte Abbas Kiarostami, gerek \u201cSarho\u015f Atlar Zaman\u0131\u201dnda Bahman Ghobadi ve yine Ayr\u0131l\u0131k filmiyle Asghar Farhadi herkesin bildi\u011fi, g\u00f6rd\u00fc\u011f\u00fc \u015feyi anlatm\u0131\u015flard\u0131r. \u0130ran Sinemas\u0131 \u00e7ok sade bir sinemad\u0131r.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u0130ran Sinemas\u0131\u2019ndan kendi ad\u0131ma ald\u0131\u011f\u0131m en b\u00fcy\u00fck lezzet, malumun hikayesini anlatmas\u0131d\u0131r.<\/p><\/blockquote>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">\u201cElly Hakk\u0131nda,\u201d filminde, haddim olmayarak s\u00f6yl\u00fcyorum, yer yer \u201cavrupai\u201d (hollywood da dahil) noktalara temas ettim. \u00d6zellikle Elly\u2019nin kayboldu\u011fu sahneye verilen gizem, daha ziyade, s\u0131radan bir bat\u0131 filminde ba\u015fvurulan tarz benzeri olmu\u015f. Elly\u2019nin mutsuzlu\u011fu \u00e7ok derinlere itelenmi\u015f, dolay\u0131s\u0131yla, vuruculu\u011fu, gizeminde kaybolmu\u015f gibi duruyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>(Bir) Ayr\u0131l\u0131k bu \u201cgizem\u201de d\u00fc\u015fmemi\u015f.<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Soru \u00e7ok basit? Ve b\u00fct\u00fcn basit sorular gibi; luz\u00fcmsuz, zor: \u201cAnneni mi yoksa baban\u0131 m\u0131 (\u00e7ok) seviyorsun?\u201d Fakat mahkemeler sevmekle u\u011fra\u015fmaz onlar, \u00f6ncelikle, g\u00fcnl\u00fck hayat\u0131 tanzim ederler. Dolay\u0131s\u0131yla mahkeme \u201cseviyor musun?\u201d diye sormaz, \u201changisiyle ya\u015famak istiyorsun?\u201d diye sorar. Asghar Farhadi kuca\u011f\u0131m\u0131za sorunu b\u0131rakt\u0131\u011f\u0131nda, koltuklar\u0131m\u0131zdan kalkmadan \u00f6nce ona bir yer bulmam\u0131z gerekir. Kimi orda b\u0131rak\u0131r (okunmu\u015f\/bak\u0131lm\u0131\u015f el ilan\u0131 misali), kimi cebine kor (bir ara bakar\u0131m), kimi i\u00e7inde bir yerde muhafaza eder.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Soru \u00e7ok basit? Ve b\u00fct\u00fcn basit sorular gibi; luz\u00fcmsuz, zor: \u201cAnneni mi yoksa baban\u0131 m\u0131 (\u00e7ok) seviyorsun?\u201d<\/p><\/blockquote>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Orta tabaka, \u00e7ekirdek bir aile olan Simin (anne), Nadar (baba), Termeh (k\u0131z \u00e7ocu\u011fu), g\u00f6receli rahat bir ya\u015fam s\u00fcrmektedirler. Anne baba i\u015fte; k\u0131zlar\u0131 kolejvari okulda parlak bir talebelik yapmaktad\u0131r. Standard\u0131 bozan tek \u015fey, hasta babas\u0131n\u0131 b\u0131rakmayan, ona kendi elleriyle bakmak isteyen Nadar\u2019d\u0131r. Nadar, biraz da \u201canla\u015f\u0131lmas\u0131 g\u00fc\u00e7\u201d bir tutkuyla babas\u0131na ba\u011fl\u0131d\u0131r. \u201cAnla\u015f\u0131lmas\u0131 g\u00fc\u00e7\u201d derken, ayn\u0131 co\u011frafyay\u0131 payla\u015fmam\u0131zdan kaynakl\u0131, tecr\u00fcbe etti\u011fim baba-o\u011ful ili\u015fkisine g\u00f6nderme yapmak istiyorum. Farhadi, film boyunca k\u0131z-baba aras\u0131nda da \u201canla\u015f\u0131lmas\u0131 g\u00fc\u00e7\u201d bir ili\u015fki oturtur. Ba\u015fka bir a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda baba, d\u00fcn\u00fcn bug\u00fcne ba\u011fland\u0131\u011f\u0131 yap\u0131 gibi tecelli eder.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>Ba\u015fka bir a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda baba, d\u00fcn\u00fcn bug\u00fcne ba\u011fland\u0131\u011f\u0131 yap\u0131 gibi tecelli eder.<\/p><\/blockquote>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Orta tabaka ailenin bo\u015fanma i\u015flemi, neredeyse orta yerde i\u015fleyen mahkemede g\u00f6r\u00fcl\u00fcr. Her ne kadar \u201ckad\u0131\u201d vurgusu yap\u0131labilecekse de bence, mahkeme \u00e7ok \u201cho\u015f\u201d bir ortamda cereyan eder. Hi\u00e7 kural, resmiyet yoktur. Hakim ve taraflar sanki herhangi hararetli bir tart\u0131\u015fma y\u00fcr\u00fctmektedirler. Simin\u2019in \u201cdaha iyi bir hayat\u201d i\u00e7in k\u0131z\u0131n\u0131 yurt d\u0131\u015f\u0131na g\u00f6t\u00fcrmek istemesi \u201ckad\u0131\u201dn\u0131n \u201cmilyonlarca \u00e7ocu\u011fun gelece\u011fi yok mu ki?\u201d toptanc\u0131l\u0131\u011f\u0131yla ret edilir ve ondan \u201cevine d\u00f6nmesi\u201d istenir. Bo\u015fanamayan Simin, evine de\u011fil anne evine gider.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Baba\u2019ya bak\u0131c\u0131 arayan baba, bizi yoksul \u0130ran halk\u0131yla tan\u0131\u015ft\u0131r\u0131r. Bu a\u015famada devreye \u00e7ekirdek fakat fakir \u0130ran ailesi girer. Her iki aile aras\u0131na ayna konulmu\u015ftur. Anne, Baba, K\u0131z \u00c7ocu\u011fu. Birinde sisteme oturmu\u015fluk, di\u011ferinde y\u00fczer gezerlik vard\u0131r. Ortak \u201cba\u011f\u201d dindir. \u015ea\u015f\u0131rt\u0131c\u0131 bir \u015fekilde perdeye yans\u0131yan, sistemi, yine sistemden \u201cmuzdarip olan\u201d orta tabakan\u0131n ta\u015f\u0131d\u0131\u011f\u0131d\u0131r. Kar\u0131s\u0131na, kuran \u00fczerine yalan yemin etmesini s\u00f6yleyen ve \u201cg\u00fcnah\u0131 boynuma\u201d diyen Hodjat\u00a0 (Shahab Hosseini) meselenin geneline yap\u0131labilecek en b\u00fcy\u00fck g\u00f6ndermeyi yapar: C\u00fcmle sistemlerin g\u00fcnah\u0131 alt tabakan\u0131n boynun(d)ad\u0131r.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>C\u00fcmle sistemlerin g\u00fcnah\u0131 alt tabakan\u0131n boynun(d)ad\u0131r.<\/p><\/blockquote>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Shahab Hosseini (yard\u0131mc\u0131 erkek), takdire \u015fayan bir performans sergiler. Yine her iki kad\u0131n hem oyunculuklar\u0131 hem sade g\u00fczellikleriyle ekran\u0131m\u0131z\u0131 doldururlar. Kimsenin standart alt\u0131na d\u00fc\u015fmedi\u011fi Ayr\u0131l\u0131k filminde, arka plandaki trafik kaosu g\u00f6zlerden ka\u00e7maz; her taraf otomobil doludur.<\/p>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Sormadan edemiyorum. Nedir bu damar\u0131n kayna\u011f\u0131? Uzaktan bak\u0131nca, ot b\u00fcy\u00fcm\u00fcz denen \u201cmolla devrimi\u201dnin topra\u011f\u0131nda, nas\u0131l oluyor da bu t\u00fcr bir sinema hayat bulabiliyor? Yoksa \u201cmolla devrimi\u201d o toprakta \u00f6n\u00fc al\u0131namam\u0131\u015f ayr\u0131k otu mu?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hasan Sever<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Z\u00fcrih, 20 Eyl\u00fcl 2011<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<p><iframe loading=\"lazy\" width=\"650\" height=\"365\" src=\"https:\/\/www.youtube.com\/embed\/58Onuy5USTc\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nedir bu damar\u0131n kayna\u011f\u0131? Uzaktan bak\u0131nca, ot b\u00fcy\u00fcm\u00fcz denen \u201cmolla devrimi\u201dnin topra\u011f\u0131nda, nas\u0131l oluyor da bu t\u00fcr bir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2041,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[137,5],"tags":[852,849,856,850,152,851,853,854,855],"class_list":["post-2003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sinema","category-yazilar","tag-a-separation","tag-asghar-farhadi","tag-bir-ayrilik","tag-eine-trennung","tag-iran-sinemasi","tag-jodaeiye-nader-az-simin","tag-leila-hatami","tag-payman-maadi","tag-sareh-bayat"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pcbKCK-wj","jetpack_likes_enabled":true,"jetpack-related-posts":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/hasansever.org\/wp-content\/uploads\/2021\/01\/ayrilik.jpg?fit=540%2C800&ssl=1","_links":{"self":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts\/2003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/comments?post=2003"}],"version-history":[{"count":5,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts\/2003\/revisions"}],"predecessor-version":[{"id":2052,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/posts\/2003\/revisions\/2052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/media\/2041"}],"wp:attachment":[{"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/media?parent=2003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/categories?post=2003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hasansever.org\/tr_TR\/wp-json\/wp\/v2\/tags?post=2003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}